The Divide Turn

Double screen projection with staggered loop, 2014, 10 mins

The sound leaks as one film ends and the other starts, to encourage the viewer to move through mirrored rooms to see alternating films.

The films are stylistic counterparts, exploring similar themes of inter-subjectivity, authorship and the effect relationships have on identity.

Landscape of Bealtaine is cinematic; Portrait of the Craftsman (view here) has roots in the TV studio. But both works use mirroring, mimicking and digging to blur boundaries between subject, viewer and artist.